“By looking after ourselves we look after the planet, by looking after the planet we look after ourselves”
Creativity & Wellbeing for Wholeness
Ecological Designer | Educator | Shamanic practitioner | Ecostage co-director
A leader in the emerging paradigm of Ecoscenography (ecological design for performance), Mona Kastell is an international award winning Breton Scottish ecological designer for performance, community engagement practitioner, and shamanic practitioner with a strong interest in social and ecological conscious design with professional experience, including stage and costume design in devised, street and physical theatre, dance, film, and participatory art installations.
Mona freelances multidisciplinary between Set & Costume design, Education, Healing Work and MKeco Creations, her zero waste crafts brand for accessories made from Nature & theatrical scraps.
Taking the lead as designer/maker, Mona engages herself holistically in her practice, placing Nature, wellbeing, interconnectivity and authentic community engagement at the heart of her creative process, using natural materials and found objects. This alternative approach to design provides sustainable tools to visually communicate ecological concepts to audiences to co-create new narratives for the future of our society and the planet. Her work is rooted in:
- Ecological Design Thinking that believes “in a future where the things that we design no longer need to be detrimental to the wellbeing of our planet, in pioneers ecological possibilities that redress social, environmental and economic imbalance, and in encouraging creativity to explore integrated solutions that are beneficial to all-of-life.” (Schumacher College EDT)
- Ecoscenography which “contributive practice integrates transdisciplinary practices with community engagement putting the highlight on creating positive legacies, advancing the designer forward to a more active role of change agent” (Beer 2016)
- Permaculture ‘s three intertwined ethics – Earth Care, People Care and Fair Share – demonstrating that true balance can only be when meeting in the centre creating true regenerative systems.
Mona received a distinction for her Masters in Ecological Design Thinking from Schumacher College, during which she explored ecological design thinking in performance across disciplines. It concluded in The Whole Designer Manifesto, an evolving reminder of the concepts behind her ecosophy.
Since graduating from her Masters, Mona dedicates much of her time to sharing her knowledge. Her involvement and outreach has proved to gain awareness and action in the importance of sustainability in the UK so far and is well recognized professionally. She runs ecological workshops for educational, theatre and corporate organizations such as the Royal Conservatoire of Scotland, Edinburgh College of Arts, Envelope Room/National Theatre Scotland, Creative Carbon Scotland, and Scottish Drama Training Network symposium, James Hutton Institute. Her paper on ‘Ecoscenography in action: Bridging stage design with nature connection to shape sustainable communities and wellbeing’ has been published in the Peer reviewed Scene Journal. Her design for ‘Glimpsing Air Pockets’ is featured in Tanja Beer’s book on Ecoscenography and won 1st prize at World Stage Design 2022 in ‘Alternative Design’.
She is one of Ecostage co-director, a grassroots initiative and website that provides a holistic framework, tools and resources for embedding practice-based ecological thinking at all stages of our creative processes and scales of production. The Seven Ecostage Principles are designed to bring together creativity, sustainability, Nature connection, well-being and social activism. People can pledge to the principles and help generate momentum for sector-wide transformation.
Mona is a co-founder of Schumacher Scotland emerging in its very early stages with other alumni. It is a Place based Transformative Learning for Ecological and Social Change collective for Holistic Education, Deep Ecology, and Connection.
This focus on Nature Connection and Wellbeing led Mona to expand and train as a shamanic practitioner as part of her practice. She currently studies a blend of Celtic and Andean indigenous shamanism with her teachers at the Edinburgh Shamanic Centre.
Mona is interested in hearing about:
–Collaboration with peers who are interested in exploring ecological practices and community engagement within interdisciplinary theatre making.
–Opportunities to lead talks and workshops on ecological design thinking
–Funding bodies interested and able to help Ecostage move forward
Short bio (to use in marketing)
A leader in the emerging paradigm of Ecoscenography, Mona is an international award-winning ecological designer for performance, community engagement practitioner and a shamanic practitioner. She combines Permaculture & Ecological Design Thinking within her creative practice embedded in expanded scenography with emphasis on Nature Connection, wellbeing, interconnectivity and authentic community engagement to engage and empower whole people to contribute to a healthy society and planet. Mona is one of Ecostage co-director, a grassroots initiative and website that provides a holistic framework, tools and resources for embedding practice-based ecological thinking at all stages of our creative processes and scales of production.
Mona is a member of:
Talks and conferences
- 2023 ‘Our Spheres of influences are greater than we think’ A Talk by Ecostage, Prague Quadrennial, Prague, Czech Republic
- 2022 Guest speaker: Ecoscenography, WSD22 Tanja Beer ‘Ecoscenography’ Book Launch, World Stage Design, Calgary, Canada
- 2021 Introduction to Ecostage, WSD22 Registration Launch, World Stage Design & OISTAT
- 2021 Intro to Ecoscenography, Scottish Drama Training Network
- 2021 Ecoscenography in Action: What does it mean to be a designer in the 21st century?, Rose Bruford College
- 2021 Ecological thinking in the creative industry, Edinburgh Performing Arts development (EPAD)
- 2020 Guest speaker: the importance of integrating sustainability into all stages of theatre making, Scottish Drama Training Network
- 2019 Ecoscenography in action, in collaboration with Andrea Carr, Triga Creative & Centre for Sustainable Practice in the Arts
- 2019 Intro to Ecoscenography, Royal conservatoire of Scotland
- 2019 Arts & Health Talk, the making of Glimpsing Air Pockets, Dance Base
- 2019 Ecoscenography in Action: What does it mean to be a designer in the 21st century?, Edinburgh College of Art
- 2019 Creative & Sustainable Design, Edinburgh Shrub Coop
- 2017 Ecological Theatre Making – Artist Talk & Discusion, Green Tease, Creative Carbon Scotland
Workshops
- 2023 Holistic Sustainability for the Performing Arts, Federation of Scottish Theatre, Scotland
- 2023 ‘Therapeutic Design Processes in the face of Climate Emergency: An ecoscenographic and wellbeing experience.’, Eliza Sweeney, phd, Prague Quadrennial, Prague, Czech Republic
- 2022 Holistic Sustainability for the Performing Arts, Ecostage, WSD22, Calgary, Canada
- 2021 Ecostage Launch: Holistic Sustainability for the Performing Arts, Ecostage, COP26, People’s Summit, Glasgow
- 2020 Ecoscenography for designers, directors & production managers, Envelope Room
- 2020 Meeting the designer: Ecoscenography, Scottish Drama Training Network
- 2019 Be-Wildered in the City, Eco Phenomenological Walk, Schumacher Scotland
- 2019 Nature Connection switch in, Nature Walk, Knockengorroch Festival
- 2019 Creative and Sustainable Design, Edinburgh Shrub Coop
- 2019 Greenspaces, Community Planning Workshop, Save Leith Walk
- 2018 Moving Forward Campaign, Edinburgh Palette
- 2017 Compass Rose, Community Arts,Wellbeing Network
- 2017 Eco Body Art, Seed Festival
- 2017 Nature Connection Tree intervention, Community Arts, Knockengorroch Festival
- 2011 Costume Making, Beltane Fire Festival
- 2011 Various Arts & Crafts workshops, Community Arts Works
- 2010 Props Making, Festival of Youth Theatre
- 2010 Costume Making, Beltane Fire Festival
- 2009 Various Arts & Crafts workshops, Wheels & Sticks Art & Social Group
Artist Exhibitions & Residencies
- 2022 World Stage Design 2022 – Professional Designer international exhibition, Glimpsing Air Pockets, Calgary, Canada – 1st prize winner ‘ Alternative Design’
- 2019 The Faery Trail, Bury Art & Sculpture Centre & Curated Place, Manchester – in collaboration with Lucas Chih-Peng Kao
- 2015 Re-See it, Maldevich House, Granton:Hub
- 2015 Re-See it & ArtCOP21, St Margaret’s House & Creative Carbon Scotland
- 2015 Make-Believe, UK Design for Performance 2011-2015, SBTD, Nottingham University
- 2014 Residents Summer Show, Edinburgh Palette
- 2012 Contextus: a re-weaving of fabric’s context in Art, Curio gallery, Edinburgh
Publications& Press
- World stage Design (2022) Professional Exhibition Catalogue, p.174-175
- 2022 Newsletter – Leading the way in sustainable practice for the performing arts, in Creative Scotland
- Tanja Beer (2021) Ecoscenography: introduction to ecological design for performance, p.71
- Kastell, M. and Myers, H. (2019), ‘Ecoscenography in action: Bridging stage design with nature connection to shape sustainable communities and wellbeing’, Scene, 7:1+2, pp. 29–44, doi: 10.1386/scene_00004_1
- Castel, M (2017) Seeking wholeness _an ecoscenographer’s deep journey in and within Nature, Schumacher College & Plymouth University, MA thesis
- 2016 Article – Ecological Design Thinking MA Crowdfunding, in French newspapers ‘Ouest France’ & ‘Le Telegramme’
- 2016 Article – ‘Scotland’s first living stage‘ (co-written with Tanja Beer), SBTD Blue Pages
- Society British Theatre Designers (2015) Make/Believe: UK Design for performance 2011-2015 Exhibition Catalogue, p.101
- 2013 Review – Walking Shadow, Bachtrack
- 2013 Review – Jacques Brel: In Song and Dance, Bachtrack
- 2012 Article – ‘Costume as starting point for devising performance‘, SBTD Blue Pages
- 2012 Review – L’Eveil, The Scotsman & The Herald
- 2012 Review – Puss in Boots, The Scotsman, The Stage & The Public Review
- 2012 Article – Get into Theatre interview, Creative & Cultural Skills
- 2008 Article – Rising stars, The Stage
Awards & Funding
- 2022 First Prize winner ‘Alternative Design’, World Stage Design 2022, Calgary, Canada
- 2016 The David Orr scholarship, to study MA Ecological Design Thinking
- 2016 Educational Bursary, Schumacher College, to study MA Ecological Design Thinking
- 2016 Educational Grant, Equity Charitable Trust, to study MA Ecological Design Thinking
- 2012 Quality Production Funding, Creative Scotland, to develop L’Eveil, a costume-led performance at Arches Live 2012
- 2010 Professional Development, Creative Scotland, towards the cost of travel and accommodation to attend the World of Wearable Arts Awards and research the costume industry in New Zealand.